Week 1: Colour Theory, Inspiration and Refresher for SLR Camera Controls
During the first week we will be looking at contemporary photographers and artists that have used colour to inform their practice in specific ways. We will look at the ways in which colour revolutionized the artworld and vernacular photography. We will also look at basic colour theory, exploring which colours compliment each other and why. We will also refresh basic camera controls, load cameras and head out to the streets to shoot a roll of film.
Aims of session 1:
- to have more of an understanding of the history of colour photography and its impact on contemporary photographers and artists.
- to understand basic colour theory
- to feel confident with your SLR camera
Week 2: Colour Film Processing
During this session, you will learn how to hand process your colour film. We will discuss the loading of the tank and the preparation of the machine to ensure correct processing temperature. We will look at different film types, why you may want to use them and the range of effects that can be produced.
Aims of session 2:
- to learn how to process your own colour film
- to be familiar with all the equipment used in colour film processing
- to cut and store your negatives correctly
- to discuss and compare different film types and their effects
Week 3: Introducing the Colour Darkroom and Contact Sheets
This week you will be introduced to Stills’ colour darkooms and become familiarized with the range of equipment you will be using over the next couple of weeks. You will be taught how to set up your darkroom for printing, how the colour print processor works and how to print a contact sheet for viewing your negatives.
Aim of session 3:
- to feel comfortable using a colour darkroom
- to know how to use all the equipment correctly
- to make a colour analogue contact sheet
Week 4: Printing
In this last session, you will be expected to make a series of final C-Type prints. You will be shown techniques to improve your printing skills and produce the images you desire. This last session will allow you time to print with some one-to-one attention. We will discuss some printing techniques to help you get the most from your negatives. We will also have time at the end of the session to look back on all the work produced over the duration of the course and discuss it in relation to theory we learnt in the first session.
Aims of session 4:
- to be confident in the colour darkroom
- to produce high quality C-Type prints