Week 1 - Introduction to the course and the structure
Screening of seminal experimental works followed by a discussion around analogue practises and processes. What is so special about analogue film? What is experimental film, and in what ways is it relevant today?
Week 2 - Cameraless Filmmaking
Working directly onto 16mm filmstrip to create a collective, abstract film. Making in dialogue with a piece of music (translating sound into image) we will paint, etch and collage onto the celluloid, and engage creatively with the repurposing of archival material.
Week 3 - Introduction to Super 8
Cameras, history, techniques, methodology
If you have your own Super8 camera in good working order, you are encouraged to bring it along to the session.
Week 4 - Shooting a cartridge of B&W Super 8 film
Working in pairs, participants will collaborate on shooting a short film in the historic old town of Edinburgh. We will explore different styles and techniques, with support on-hand to offer guidance and help troubleshoot as necessary.
Week 5 - Hand processing Super 8 film
Using a DIY approach, we will hand process our films in eco-friendly chemistry. This tactile method is a lot of fun, and offers the chance to really engage with the magic materiality of film! Often creating unexpected results and imperfect beauty, we will embrace the unique aesthetic features this technique affords.
Week 6 - Introduction to projection equipment and beyond…
Preparing film for projection.
Screening of our work (silent or with any soundtracks)
Expanded cinema; how we might challenge viewers expectations through the presentation of our work.
The concept of ‘live cinema’.